Video interview with Ford's grandson, Dan Ford about the director and his home movies.

Using live-action wildlife films from the National Geographic and the BBC archives, this animated PBS series tells the warmhearted story of an elephant named Mama Mirabelle, who travels the world filming wildlife movies that she shares with her family and friends back home in the African savanna, including her son Max, Bo the cheetah, a zebra named Karla and three monkey brothers -- Kip, Flip, and Chip.

A brief home movie filmed by Groucho Marx showing the comedian at home in California with his first wife Ruth Johnson Marx and their children Arthur and Miriam.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

Morecambe & Wise are arguably the most popular and loved double acts ever to have been on television, but off it they built up quite an archive too - largely unseen until now - which reveals what Eric and Ernie were really like in the company of family and friends. Both Eric and Ernie were avid home movie makers, chronicling their rise to fame and recording key moments in their private and family lives, at home and abroad. Now for the first time, with access to Morecambe & Wise's entire home movie collection, this documentary shows Eric and Ernie at work and at play, on tour and on holiday, from summer season in Blackpool to trying to make it in the USA, from their pre-television fame days to the height of their career.

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

A short length work by revered critic and theorist Shiguéhiko Hasumi and Shô Miyake, editing together John Ford's thematic system of “throwing” across many of his films. Edited according to which and how much each throwing scene was written about in Hasumi’s John Ford book, this film serves as a definitive version of a collage film initially created by Shinji Aoyama ten years ago. Aoyama, who passed away in March 2022, never saw the completion of his teacher’s book. Recognizing this, Hasumi recommended that Shô Miyake create a definitive version of the collage film, allowing him total creative freedom within a 60-minute runtime limit.

Une IA tente de se constituer une mémoire en puisant dans les images des autres. Elle aspire à y trouver sa propre humanité.

暂无剧情简介

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."